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The Jewish king of US corporate bankruptcy
By YONAH JEREMY BOB
12/02/2014
For a Jewish lawyer like Harvey Miller, admitted to the bar in 1959, that result was far from automatic.
 
Harvey Miller, nearly 81, has been called the king of corporate bankruptcy and other such honorary titles for decades of dominating the field in the US.

But for a Jewish lawyer like Harvey, admitted to the bar in 1959, that result was far from automatic.

Miller told The Jerusalem Post how Jewish lawyers in Manhattan’s garment district played a leading role in building the huge field of corporate bankruptcy that exists today.

The stage was set by the growing availability of credit and risk-taking after the Depression, New Deal and World War II, he said. Jewish law graduates were unable to break into the old, big white-shoe law firms, so many started their own smaller firms.

Business trends favored suburban malls over “main street” businesses, whose fortunes, along with garment center businesses, were rising and falling, and many garment center Jewish businesses and main street businesses hired Jewish lawyers.
 
Jews were also able to get into the bankruptcy practice since it was viewed as “not attractive,” since at the time “bankruptcy referees strictly enforced lower fees,” said Miller.
 
“The Jewish bar” then came up with creative interpretations about the “purpose of the Bankruptcy Code” being to “preserve jobs and preserve businesses” to help save many of these troubled businesses.
 
Miller said that the $1 billion bankruptcy in 1976 of W.T. Grant Co., which had more than 1,100 variety stores, helped significantly raise fees charged for these cases.
 
“When Wall Street learned there was gold in the hills, they came piling in,” he quoted Conrad “Connie” Duberstein, former chief judge of the US Bankruptcy Court for the Eastern District of New York, as saying.

Subsequently, “White shoe firms hired Jewish lawyers to handle Jewish and other bankruptcies,” said Miller.

While Miller’s accomplishments are unique, in many ways he views his narrative as tied into the love story of the US Jewish bar with bankruptcy practice.
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