Beit Lessin, the little theater that can

Beit Lessin is a theater that's far down on the public funding totem pole.

June 26, 2007 10:27
1 minute read.


Dear Reader,
As you can imagine, more people are reading The Jerusalem Post than ever before. Nevertheless, traditional business models are no longer sustainable and high-quality publications, like ours, are being forced to look for new ways to keep going. Unlike many other news organizations, we have not put up a paywall. We want to keep our journalism open and accessible and be able to keep providing you with news and analysis from the frontlines of Israel, the Middle East and the Jewish World.

As one of our loyal readers, we ask you to be our partner.

For $5 a month you will receive access to the following:

  • A user experience almost completely free of ads
  • Access to our Premium Section
  • Content from the award-winning Jerusalem Report and our monthly magazine to learn Hebrew - Ivrit
  • A brand new ePaper featuring the daily newspaper as it appears in print in Israel

Help us grow and continue telling Israel’s story to the world.

Thank you,

Ronit Hasin-Hochman, CEO, Jerusalem Post Group
Yaakov Katz, Editor-in-Chief


Beit Lessin is a theater that's far down on the public funding totem pole. It receives NIS 10 million or so compared with the NIS 22.4m. that goes to the Cameri Theater, whose former home it occupies. But its recent productions have managed to garner an impressive number of prizes and critical accolades; at last year's Israel Theater Prize ceremony, Savyon Librecht was named playwright of the year for Apples in the Desert. Two of Apples actresses also won awards. Librecht's The Banality of Love is among 20 local and translated plays that Beit Lessin hopes to mount in the next two seasons. "Beit Lessin remains committed to the seeking out, encouragement and nurturing of local playwriting, and to the active fostering of the next generations of actors," stated Beit Lessin general director Tzippi Pines. The Banality of Love deals with the more than 30-year love affair between the late essayist and moral gadfly Hannah Arendt, and philosopher and committed Nazi Martin Heidegger. The first play of the new season will be Hillel Mittelpunkt's Goodbye Africa, a tense political drama set in Uganda. It opens July 17, followed in September by Setting the Stage, a three-day festival of staged readings together with three fully staged plays, all by aspiring local playwrights. Other local plays include Dance and Fly, a black comedy by Reshef Levy about skeletons in the closet common to most "normal" families, Goren Agmon's Alma and Ruth, a drama that puts a young woman in bruising conflict with her culture, and Mike by Gadi Inbar, a drama about singer Mike Brandt who committed suicide in the 1970s. Following the huge success of Rain Man, Dan Gordon's adaptation, Beit Lessin will do other film adaptations for the stage. These include The Bridges of Madison County, the tear-jerker that starred Meryl Streep and Clint Eastwood, and On Golden Pond. The latter opens in October and stars Miriam Zohar and Ilan Dar in the roles of Katharine Hepburn and Henry Fonda. Other translations include Shakespeare's The Taming of the Shrew, Joe Penhall's Landscape with Weapons, the story of a young scientist who will only sell his revolutionary new missile provided that none are sold to Israel or the US, and Wedekind's Spring Awakening, which will employ the talents of the young actors from History Boys and Zissele.

Join Jerusalem Post Premium Plus now for just $5 and upgrade your experience with an ads-free website and exclusive content. Click here>>

Related Content

Sarah Silverman
August 26, 2014
Jewish women take home gold at 2014 Emmys