Fresh faces
By BARRY DAVIS
05/10/2012 13:24
The Fresh Paint Contemporary Art Fair is a lesson in art appreciation.
BOY ON A HORSE Photo: Gideon Rubin
The Fresh Paint Contemporary Art Fair has built up a decent head of steam over
the past five years and has grown incrementally. After four years of being held
at the train station site in south Tel Aviv, this year the event takes place at
the new high school complex on Shoshana Persitz Street from May
15-19.
According to the event’s supremo, Sharon Tillinger, it was a
success waiting to happen. “You can’t possibly compare where we are today
compared with the Fresh Paint at the beginning. It’s like comparing a five-year-
old child with a newborn baby. The event is so much bigger and more
important now.”
Visitors to this year’s fair can observe presentations by
some of the country’s leading galleries and some of the major newer ones, while
the Greenhouse slot showcases works by a select, independent group of local
artists.
The latter is designed to provide the nascent careers of
up-and-coming, unrepresented artists with a much-needed kick-start. The
Greenhouse group incorporates 46 artists, who were selected by a panel of
lecturers and museum and gallery curators.
The names in the emerging
artists’ lineup include Rona Alfiya, Gur Arie, Naama Hadany, Adam Sher, Gabriela
Vainsencher and Amir Yatziv.
In addition to the painter incubator, Fresh
Paint also includes the Video Greenhouse, with video artworks created by 10
independent artists, including Oscar Abosh, Rotem Balva, Nadav Bin-Nun, Luciana
Kaplun and Nevet Yitzhak. The artists were selected by Video Greenhouse curator
Edna Moshenson. Israeli video artists have gained a global reputation, so this
area of the Fresh Paint art fair is likely to be of particular international
interest.
Tillinger says she and co-founder and Fresh Paint curator Yifat
Gurion take their roles very seriously and are always looking for areas to
tweak.
“We are far more professional than we were five years ago. We
never finish a fair fully satisfied, despite the successes. We always sit down
after the event and scrutinize everything that happened, to see where we went
wrong or where we can increase efficiency.”
Fresh Paint, in fact, forms
part of a burgeoning Tel Aviv, and national, arts scene. Earlier this month, the
Ted Arison Family Foundation-supported ArtPort Tel Aviv project announced the
names of half a dozen emerging artists who will benefit from the foundation’s
generous support over the next 12 months. And the Municipality of Tel Aviv
launched the city’s Art Year at the end of March, following the opening of three
new or refurbished local cultural facilities – the new wing of the Tel Aviv
Museum, an extension of the Tel Aviv Cinematheque and the reopening of Habimah
Theater.
There appears to be some substantial dynamics in full flow
here.
“Our aim, from the outset, was to act as a catalyst for the arts
field,” Tillinger declares. “We have clearly achieved that objective. I think we
definitely fitted into a slot where there was need for a push in the right
direction, but that’s never enough. You’ve got to know how to go about
it.”
Tillinger is keen to point out that the art fair is a work in
progress. “Fresh Paint was around before Art Year and will continue after
Art Year. We are part of the local arts scene evolution, but we do not
intend to vanish after Art Year ends.”
Tillinger and Gurion seem to be
going about the Fresh Paint fair in the requisite manner and are doing their
best to build on past successes. This year’s fair, for example, includes an
exhibition by Natalia Zourabova, winner of last year’s annual Igal Ahouvi
Collection Most Promising Artist Award, which is given to an artist from the
Greenhouse project.
The artist receives a grant of NIS 40,000 and gets a
solo exhibition at the following year’s fair. Zourabova will show new paintings
and an animation piece.
Fresh Paint also does its best to get the word
out beyond our national borders. One work by an independent artist will be
selected for Under the Hammer, the fair’s collaboration with Sotheby’s, which
will see the chosen work sold off at the international auction house’s New York
facility. The latter will certainly do a lot for the winning artist’s
international career. All expenses are covered by Sotheby’s, and all proceeds go
to the artist.
But, as any marketing executive will tell you, it’s not
just about getting the product out there – you have to draw your potential
consumers in and make sure they understand what you are offering.
“We
have to educate the public about art,” says Tillinger. “We have to teach the
public to appreciate art and to understand the importance of art in their daily
lives. We get over 30,000 visitors at the fair. How long does it take a museum
to bring that number of visitors in? The public clearly believes that our event
is something they want to know about and take part in. That’s very
encouraging.”
Art patrons and art lovers can purchase works by
independent artists, which will be on sale at prices that range from NIS 500 to
NIS 10,000.
For more information about Fresh Paint: www.freshpaint.co.il