Those of us with less wherewithal, and less celebrity status, could be forgiven
for raising an eyebrow or two when getting word of some world-famous artist
trying his or her hand at another discipline.
Just because, for instance,
Rembrandt was a genius painter and printmaker it does not necessarily follow
that he was also a talented sculptor or potter.
That school of thought
does not, however, apply to Mikhail Baryshnikov. Not only is the 64-year-old
Latvian considered to be one of the greatest ballet dancers in history, his
endeavors as a photographer have also drawn across-the-board praise from
professional snappers and the general public alike.
Today, an exhibition
of Baryshnikov’s camera work opens at the Suzanne Dellal Center in Jaffa and,
over the next four days, the public will be able to view the prints in a special
tent set up in the plaza in front of the center.
The Dance My Way
will be followed by an auction of the prints, with the proceeds going to support
dance endeavor at the Suzanne Dellal Center.
Baryshnikov, who will attend
the opening today, was not available for interview prior to the event but said:
“I am delighted that the Suzanne Dellal Center asked me to participate in this
auction, which will help the vigorous dance community in Israel. The thought
that my pictures can help makes me very happy.”
Over the years, the
dancer has snapped many of his celebrated professional colleagues, including the
likes of Merce Cunningham, Benjamin Millepied and Ohad Naharin, as well as
dancers from other areas, including hip-hop and flamenco.
knows more than most about snapping ballet action. The 55-year-old
Australian-born photographer has been earning his keep in the field for over
three decades, two of which have been spent as the house photographer for Ohad
Naharin’s Batsheva Ballet Company.
Dagon says he is very impressed with
“This is not some Joe Bloggs with a cheap camera
or an iPhone, and not many people can emulate him,” he notes. “This is someone
who is a world-famous dancer, an actor, a media personality and a photographer.
He is totally involved in all the areas he works in.”
Baryshnikov well, and had an opportunity to work alongside the great man on
Dagon’s home patch.
“We once took photographs, together, of a session
with Batsheva,” says the Israeli. “That was quite an experience.”
so, naturally Dagon and Baryshnikov address the business of documenting dance
from opposite sides of the performing arts divide.
“Yes, he takes
pictures from the point of view of someone who has been on the stage, and
photography offers him another way to stay in the field, and that is fully
acceptable. I have never been a dancer.”
That has its
“I don’t think Baryshnikov can ever get away from analyzing
what the dancers he is photographing are doing on the stage,” notes Dagon. “He
is so aware of every little nuance of dance that he can’t get away from
examining the technical side of dance while he is taking the photographs. I
don’t have that baggage when I take my photos.”
Dagon has other past
pursuits that inform his dancerelated work, even though he sees
“I started out as a sports photographer, and movement greatly
interests me. I am a sort of frustrated athlete, dancer, director. So I find a
way to experience these things, and to photograph them.”
Baryshnikov approaches dance photography with his own agenda, Dagon says he has
to take other factors into consideration.
“I look at the artistic side of
the photographs I take of dancers, but I also have to document the action for PR
and other purposes. Baryshnikov does not have any obligations to anyone other
than his own objectives.”
Interestingly, Baryshnikov’s shots do not
freeze the action, so we can get a good look at the way the dancers use their
body, or achieve some artistic shape. The figures are generally blurred and
convey a keen sense of movement, and the spirit of the dance form they
The end product has a mesmerizing quality to it, and you get the
sense that the photographer knows the field well, and is intimately involved in
“I think Baryshnikov is serious about everything he does,” offers
Dagon. “He has had a long career in dance and, in contrast to me, he knows all
the physical sensations of the art form, he knows the pain and the ecstasy of
what it means to dance ballet. I experience dance from a different perspective,
through a different kind of added value. My past in sports, and in dance, gives
me an understanding of movement, and the philosophy of movement, but I don’t
have that hands-on feeling for dance that Baryshnikov has.”
confident the public will like what it sees at the Dance My Way
“I really like what Baryshnikov does with the
He portrays the beauty of dance and there is a lot to enjoy in
his work. In these times when everyone is a photographer, with their cell phones
or whatever camera they have, there is great importance to imagery, and
Baryshnikov captures that in the best possible way.”
The Dance My Way
exhibition will be open to the public today and Thursday from 10 a.m. to 10
p.m., and on Friday from 10 a.m. to 7 p.m. For more info visit