Arthur Szyk WWII political cartoon 370.
Artists4Israel, the Arthur Szyk and Jewish National Initiative announced the
creation of the Arthur Szyk Prize on Thursday. The new award – named after the
eponymous Jewish graphic artist and political cartoonist whose work figured
prominently in both American and Zionist propaganda during and after World War
II – was created “to recognize artists whose work sparks new ideas about Zionism
in the 21st century,” said award organizers.
According to Artists4Israel
– an ongoing collaborative art project “expressing Israel’s right to exist in
peace and security” – the winner of the first Arthur Szyk Prize will receive
$1,000 for work using art to “challenge prevailing conceptions of Zionism and
elucidate the new meanings of Jewishness today.” The winner is to be announced
on May 15.
“Israel protecting civilians from murder by terrorists is the
same as it protecting the freedoms that support the arts,” Artists4Israel
president Craig Dershowitz told The Jerusalem Post
allow for creation and beauty. Artists4Israel hopes to do our part to
return that favor, to turn our powerful humanity and abilities to use in
thanking Israel and moving the Zionist ideal forward,” he said.
Szyk showed the world what it meant to be Jewish with a boldness that couldn’t
be ignored. With this prize, we’re following Szyk’s example by honoring
an artist who is uniquely able to illuminate the meaning of Jewish
self-determination today,” Dershowitz added.
“This prize is about using
art to understand who we are and what role Zionism can play in a rapidly
changing world,” stated Daniel Fink, codirector of JNI.
by the prospect of artists coming out to say entirely new things, to rekindle
the most critical dialog of our generation,” he said.
(pronounced “Shik”) was born in Lodz, Poland in 1894 and moved to the United
States in 1940 after living and working for several years in both the United
Kingdom and France, where he gained fame as a talented
During World War II, his illustrations mocking both the Axis
powers and UK’s immigration policy in British Mandate Palestine were widely
circulated in magazines and, according to some, these images were even more
popular among American GIs than those of pin-up girls.
illustrations supporting the Zionist movement and the creation of a Jewish
state, including several posters for the United Palestine Appeal, were important
tools in fundraising for the Yishuv.
“With one glance at his illustrated
covers for American publications like Time, Esquire and the New York Post,
millions of Americans saw European pacifists lampooned, American anti-Semites
lambasted and Hitler made to look like the demoniacal madman he was,” said
Dershowitz and Fink.
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