As the good book says
January 2, 2014 13:28
Alisa Solomon takes on the history and cultural impact of the beloved ‘Fiddler on the Roof ’
Fiddler on the Roof 521.
(photo credit:Illustrative photo)
In the interest of full disclosure, I have to confess a bias before writing this
book review. It’s not that I know the author, or that I have been paid to give
it rave reviews. No, it is simply that I am a Fiddler on the Roof fanatic. I’ve
seen the film dozens of times and the play three or four, including one very
memorable occasion when Chaim Topol reprised his role as Tevye in a farewell
tour several years ago.And I’m hardly alone. As Alisa Solomon explores
in her newest book Wonder of Wonders: A Cultural History of Fiddler on the Roof,
Tevye and his five daughters have become cultural touchstones across the globe.
Even almost 50 years since the musical had its Broadway debut, and well over 100
years since Sholem Aleichem first published his Yiddish tales of the poor
Russian milkman, the images and sounds of the play and subsequent film still
hold powerful sway.