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A stroll along Barcelona’s La Rambla was just what I needed to clear my head from the events of the past week: colorful street scenes, jugglers and clowns, human statues on stilts, and the aroma of fragrant tapas in the air. Every now and then one is astounded to behold the architectural delights of Antoni Gaudi; urban structures that defy convention, with ceramic cones and towers in various shapes and sizes spiraling seemingly out of nowhere. I kept walking, past the most famous Gaudi, the 19th-century church known as la Sagrada Familia, until I finally came to what I was looking for, the unassuming but intimate Versus Teatre, on los Castillejos.

I was greeted by a frenetic theater manager who apologized on behalf of the director, who was sick with the flu and would not be able to attend the performance of my play, Einstein, in the evening. “Anyway,” the manager explained somewhat sheepishly, but perhaps in retrospect intending to soften the blow that was soon to come, “tonight’s performance is only a roadhouse version of the play from Argentina, in advance of our own Catalan production that has not yet entered rehearsals.”

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