One of the central claims of French feminist theorists in the last century was that language itself is a male construct which fails to adequately depict the female experience of the world. They suggested that because consciousness is rooted in the body, women’s writing must draw on a female understanding of physicality, or as French theorist Hélène Cixous put it to women writers: “Write yourself. Your body must be heard.”

Elana Sztokman, a two-time winner of the National Jewish Book Council Award for her scholarly books on gender identity in the Orthodox community, has come out with a new collection of essays which takes up Cixous’s challenge. The collection is comprised of mostly previously published opinion pieces, memoir, and essays, and explores various facets of her experiences as a formerly Orthodox Jew, through the lens of that community’s attitudes towards women’s sexuality, and its precepts regarding the female body.

The pieces make for fascinating, subversive reading, as they consider the demands modern orthodoxy makes on women from a rarely heard point of view. It’s not that Orthodox women haven’t written or spoken out on the subjects of modesty, hair-covering, mikveh regulation and the like, but that in this book, Sztokman has gathered this material together, examined its implications and built it into a comprehensive argument. What emerges is an indictment – a “j’accuse” that calls out the Orthodox rabbinic establishment for its diminishment and neglect of the concerns of half of its adherents. 
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