Hopeless in Gaza.
(photo credit: Courtesy)
Rock the Casbah
Hebrew title: Rock ba’Casbah.
Directed by Yariv Horowitz
Written by Yariv Horowitz and Guy Meirson.
With Angel Bonani, Yon
Tomarkin, Iftach Rave, Roy Nik, Yotam Ishay
Running time: 93 minutes.
Hebrew and Arabic. Check with theaters for subtitle information.
ideas underlying the Oscar-nominated documentary The Gatekeepers were
encapsulated into a feature film, it would look a lot like Yariv Horowitz’s Rock
the Casbah. This film, which just won the International Confederation of Art
Cinemas award at the 63rd Berlin International Film Festival, tells the story of
what it’s really like for a group of Israeli soldiers tasked with patrolling the
streets of Gaza in 1989.
Just as the former heads of the Shin Bet
interviewed in The Gatekeepers
spoke about how their experiences made them
question the wisdom of many government decisions, Rock the Casbah
incredibly hopeless the mission of the IDF in Gaza already was in the late
1980s. While these soldiers may have been sent there to protect Israel, Rock the
dramatizes how they actually spend their days, either as moving targets
or sitting ducks. For most of the soldiers in the film, their only aspiration
while in Gaza is to leave alive, and not all of them make it.
the past few years three important films – Joseph Cedar’s Beaufort
, Ari Folman’s
Waltz with Bashir and Samuel Maoz’s Lebanon – looked at the first Lebanon War,
few feature films have explored the subject of Israeli troops in the West Bank
and Gaza. This issue is even more charged and more polarizing than the Lebanon
War, which ended 27 years ago. In fact, there is probably no single issue that
is more divisive and polarizing. It’s a subject about which virtually all
Israelis have strong opinions, and that makes it difficult to dramatize. It’s
hard to create an engaging film when your thoughts about a subject are black and
white. But Horowitz has managed to avoid most of the pitfalls inherent in a
movie about the IDF in Gaza and has made a gripping, complex film.
opens as a group of new recruits arrive in Gaza. They are greeted by a macho
commander (Angel Bonani, who starred in a very different role in Salsa Tel
Aviv), who tells them they are there to restore order by crushing any terrorism
or political activism they encounter. Apprehensive, the soldiers set off on a
patrol. In a particularly gripping sequence, they encounter a group of boys
throwing rocks at them, and in the confusion that follows, someone tosses a
washing machine off a roof and kills one of the Israelis.
What follows is
a textbook case of how hard it is to rule over a hostile population. The
commander sends four of them to stand guard on the rooftop where the machine was
thrown. The building’s residents are a family who are none too pleased to have
the Israelis there.
As they sit on the roof with little to do, we get to
know each of the soldiers. It’s here that so many films about the military
become a bit familiar, even clichéd. Tomer (Yon Tomarkin), is the most sensitive
of the group, and it is he who feels the most conflicted about being there. Haim
(Iftach Rave) is the cut-up, whose crude humor provides the film with its few
lighter moments. Aki (Roy Nik) is angry and pushes for retaliation against the
groups of teens who mill around on the street below, taunting and trying to
provoke them. The commander who should be pulling the team together and giving
them direction, Ariel (Yotam Ishay), is a pot head with just a few weeks left to
serve who has little interest in what is going on.
The bulk of the film
alternates between nail-biting suspense as the soldiers patrol or cope with the
hostile family and taunting boys, and lulls as they reveal their personal
stories. The soundtrack is rock ’n’ roll (including the title tune) from the
Voice of Peace radio station. The messiness of their mission is matched by its
high stakes. They can never bring order to Gaza, but even with all their
complaining and cynicism, they are risking their lives to try to do it. Rock the
is masterful at illuminating this strange contradiction.
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