What is the story behind Israel’s Stonehenge?

‘Standing Stones’ may signal cult worship in 10th century BCE.

By
April 7, 2018 14:18
 The Khirbet Qeiyafa shrine, ‘Standing Stones’

The Khirbet Qeiyafa shrine, ‘Standing Stones’. (photo credit: HEBREW UNIVERSITY OF JERUSALEM)

THE DISCOVERY of “Standing Stones,” a possible form of cult worship, at Khirbet Qeiyafa, in the Ela valley, which was built around the early 10th century BCE, is a striking example of the process of social and religious transition taking place as the Jewish people settled Eretz Yisrael.

The initial stages of political consolidation as a monarchy accompanied a process of ritual centralization which culminated in the building of the Temple in Jerusalem, and attempts to establish authoritative Jewish worship, primarily when, where, and how animal and incense could be offered, and prohibiting cult and idol worship. Making a clear distinction between pagan Canaanite practices and what was Jewish was critical. Depending on how stones were used, two categories were delineated matzevot (single stone pillars/monuments), and mizbehot or bamot (altars for ritual offerings).

Be the first to know - Join our Facebook page.


Worshipping standing stones (matzevot) seems to have been a pagan Canaanite custom and Jews were commanded to destroy them (Exodus 34:13). Erecting pillars to worship violates Torah commandments – for example, Exodus, 20:21-2 and Devarim, 16:22 – but using stones to commemorate spiritual encounters is different. Jacob erected a stone pillar in Beit El, where God spoke to him (Genesis, 28: 18 and 35:14); Moses erected 12 stone pillars at the foot of Mount Sinai (Exodus, 24:4); and, after making a covenant with the Jewish people in Shekhem (Nablus) and writing down what took place, Joshua “took a great stone and set it up there under the oak tree that was by the sanctuary of the Lord… [as] a witness to us for it (the stone) has heard all the words of the Lord… and therefore it shall be a witness to you, lest you deny God.” (Joshua, 24: 25-27)

The socio-historical transition from a group of people that had been desert wanderers to settlers is discussed in the Talmud (Bavli and Yerushalmi) in tractate Zevachim. One of the key questions was whether private bamot would be allowed. Bamot were used by many different people in ritual practices, and Jews were no different, although they are specifically prohibited in Torah. Because the Jewish people at the time was composed of many different elements, moreover, it’s impossible to know who was using them, and for what purpose.

Once the Mishkan (the portable sanctuary) was constructed in the Sinai desert, however, bamot were prohibited and ritual worship was centered in the Mishkan. But when the Jewish people entered Eretz Yisrael, camped at Gilgal (outside of Jericho) and established a ritual center there, and during the following fourteen years of conquest and settlement, bamot were again permitted. This was allowed because Gilgal was considered only a temporary place for the Mishkan while the Jewish people were engaged in conquering the land. It remained an important national political center, especially in rallying the Jewish people to fight.

When the Mishkan was brought to Shilo (north of Jerusalem), and Shilo became the new national ritual center, bamot were again prohibited. Shilo remained the capitol of the Jewish people for 369 years until King David established Jerusalem as the political and religious center. The Ark (of the Covenant), which contained the whole and broken pieces of the Ten Commandments, was located in the most sacred area of the Mishkan, but was taken out to accompany Jewish armies in battle. In one famous incident, the Philistines captured the Ark (I Samuel, 4:11) and destroyed Shilo. The Ark was eventually returned via Ekron and the Soreq valley through Beit Shemesh to Qiryat Ye’arim in the Judean Hills, west of Jerusalem, where it remained for 20 years.

The return of the Ark sparked a religious revival in which the Prophet Samuel admonished the Jews to get rid of the “foreign gods” (idols) and ashterot (trees worshipped as pagan symbols). The Philistines launched another attack on the Jews (at Mitzpe) but were saved by Divine intervention. “Then Samuel took a stone and placed it between Mitzpe and Shen and called it “Even Ha’ezer,” for God helped us.” Using large stones to commemorate historical events, however, is different from worshipping them.



The return of the Ark and the defeat (albeit temporarily) of the Philistines also prompted a new political stage: Samuel appointed Saul as king at Gilgal. The Philistines continued to attack the Jews, and in a famous battle, challenged the Jews with their huge, giant warrior, Goliath. The Jewish contender, the child-soldier, David, agreed and slew him in the Ela valley, “between Socho and Azeka in Efes Damim” – where later, during the reigns of David and Solomon, Khirbet Qeiyafa was built in the foothills.

Ten megaliths were found at Tel Gezer, near Khirbet Qeiyafa in the Shfela in the Ayalon Valley, but it’s not known who set them up, or for what purpose.

Bamot were again permitted when the Mishkan was moved to the priestly town of Nov, where it remained for 13 years, until King Saul destroyed the town for supporting David’s revolt. The Mishkan was then moved to Givon, north of Jerusalem, where it remained for 44 years.

Bamot were forbidden when Jerusalem was established as the national center of the Jewish people under King David and, once the Temple was built, bamot were never allowed again – even when a Temple no longer existed.

The “standing stones” may represent a form of worship during the tumultuous period before the Temple was built and religious and political consolidation established. The problem of cult worship, however, did not go away. Jews continued to build altars and worship “in high places,” as they had been doing for generations. King Solomon was also part of the problem, building bamot for his foreign wives, and even worshiping “Ashtoret, the goddess of the Zidononians, Kemosh, the god of Moav, and Milkom, the good of the children of Ammon.” (Kings I, 11:33). This led to civil war in which Yarov’am, leader of the ten northern tribes, built golden calves and placed them in Betel and Dan. (Kings I, 12:29)

But the tribe of Yehuda also relapsed into idol worship: “They built high places, and pillars, and Asherim … and there was prostitution in the land and they did according to all the abominations of the nations …” (Kings I, 14:23) Later, King Hezikiah tried to wipe out idol worship: “He (King Hezikiah) removed the high places, smashed the sacred stones and cut down the Asherah poles…” (Kings II, 18:4).

With a few exceptions, the struggle against paganism and idol worship persisted throughout the First Temple period. Unity regarding religious worship was, apparently, as elusive then as it is now.

The exhibition featuring the Standing Stones, “In the Valley of David and Goliath” was created by the Bible Lands Museum Jerusalem and is currently at the Museum of the Bible in Washington, DC.

It displays rare and important artifacts seen by the public for the first time. Recent excavations in the Ela Valley site known as Khirbet Qeiyafa, the finds have been dated to 1,000 BCE. Discovered not far from where – according to the Bible – the epic battle between David the Judean shepherd and Goliath the Philistine giant took place, some scholars believe Qeifaya was the ancient city of Sha’arayim, mentioned in the book of Samuel, because it has – uniquely for this period – two city gates.

Among many exciting artifacts on display is a unique cultic shrine carved from stone. Cultic shrines were discovered in a number of buildings, but this particular shrine model is significant for its detailed carved façade that is similar to the architectural design described in the biblical accounts of King Solomon’s Temple and his Palace on the Temple Mount in Jerusalem.

For further information, visit www.blmj.org


Related Content

Gonen Segev (R) and the Iranian flag
June 18, 2018
Former minister arrested on suspicion of spying for Iran

By ANNA AHRONHEIM