A New York rabbi is reiterating his call for his music not to be sung by anti-Israel demonstrators, after students at Yale University used his song during protests there.

Rabbi Menachem Creditor said he was “distraught” to learn that “Olam Chesed Yibaneh,” a song he wrote after 9/11 that has become a mainstay at progressive Jewish activists, was sung at the conclusion of a seder held by the anti-Zionist group Jewish Voice for Peace on Yale’s campus. Yale is one of dozens of schools where anti-Israel protest encampments have sprung up in recent weeks.

“Let me be clear: I vehemently object to the song being used in any context that is against Israel or the Jewish people,” Creditor said in a statement. “Those who are using the song in these protests are misappropriating its message of love and support for Israel. I cannot accept its use by the protesters, whose beliefs could not be further from my own.”

"I object to you using my song"

Creditor, the rabbi in residence at UJA-Federation of New York, first called for his song not to be sung at pro-Palestinian protests in November, a month into the Israel-Hamas war that began with Hamas’ deadly attack on Israel on Oct. 7. At the time, a member of the non-Zionist group IfNotNow said the group would stop including “Olam Chesed Yibaneh” and a song written by another Jewish musician who objected to its use in national actions calling for a ceasefire, though a national spokesperson declined to answer questions about the songs’ use.

Creditor told the Jewish Telegraphic Agency at the time that he had declined offers of pro-bono legal assistance to curb the use of his song, saying that litigation would give the issue “too much oxygen.” He said he just wanted the protesters to stop — though he recognized that it would be hard to break longstanding habits.

PRO-ISRAEL advocates protest across from a JVP rally in Atlanta, last Tuesday.
PRO-ISRAEL advocates protest across from a JVP rally in Atlanta, last Tuesday. (credit: Cheryl Dorchinsky/Atlanta Israel Coalition)

“It’s hard to control the use of your art when it’s already been created,” Creditor said in November. “But it hurts me the worst when I see my song weaponized against my own family’s heart.”

Now, he said in his statement, he sees a continued role for his song in advocacy for Israel at a time when the country is increasingly beleaguered.

“I am extremely proud of what it represents,” he said. “In these difficult days I will continue to sing it, full voice, to show my unwavering support for Israel and ironclad solidarity with the hostage families and their loved ones still in captivity.”