Parshat Va’Ethanan: An innocent addition or destruction of a masterpiece?
Let us imagine someone taking a Rembrandt painting and adding a few of his own lines or drops of paint.
‘THE RETURN of the Prodigal Son,’ 1668, remembered by many as Rembrandt van Rijn’s greatest masterpiece(photo credit: Wikimedia Commons)ByRABBI SHMUEL RABINOWITZ
