Painter Joshua Borkovsky wants you to walk by his paintings and think they’re as ordinary as an outdoor tablecloth – at first. But he also hopes to activate that instinctual self-questioning mechanism that might urge a viewer to stop and wonder whether what we think we see is really what’s in front of us.

“[The work] makes you stop,” says Borkovsky, who recently opened a large exhibition called “Veronese Green” at the Israel Museum, marking 25 years of creative production.

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