Mel Brooks’ Top 10 Jewy Jewish scenes

A collection of Brooks’ best Jewish clips before this weeks national premier broadcast of the American Masters installment on the artist.

June 8, 2013 19:52
4 minute read.
Award-winning filmmaker Mel Brooks

Mel Brooks 370. (photo credit: Angela George)

Monday night marks the national premier broadcast of the American Masters installment on Mel Brooks. To mark the occasion, we’ve put together a collection of Brooks’ best Jewish clips.

What exactly that means is a good question. As with two others recent subjects on the PBS series — Woody Allen and Phillip Roth (hey, guys, maybe change it up a bit, before Pat Buchanan notices) —  you could make the argument that Brooks’ entire oeuvre is an extension of his very Jewish background, sensibilities, hang-ups, etc., and hence any and all of his work can be considered Jewish. Take “Young Frankenstein”: It lacks any explicitly Jewish gags, but some critics have no trouble making the case that the film is very Jewish.

Similarly, take what might just be my favorite Mel Brooks scene of all time, courtesy of “Blazing Saddles” (see below). The genius comes in his ability to highlight the racism of God-fearing white folk, while simultaneously leaving us with hope that their better angels will eventually kick in. It wouldn’t be too hard to explain this all as somehow being the product of Brooks’ Jewishness.   


But I’m going for something else here. So we’re dubbing this a list of “Jewy Jewish Scenes.” And, even with this qualifier, it should be noted that we are counting anything Nazi-related as Jewy.

You have a problem with any of this? What can I tell you. It’s good to be the editor.

Here we go:

10) Rabbi Tuckman (“Robin Hood: Men in Tights”)

As I’ve said before, Mel, you lost me with “Men in Tights.” It was painful to watch (Adena, if I never said so… sorry for suggesting that we see this one). That said… one bright spot… this moment with Rabbi Tuckman.


For a video tribute, click here. But be warned: It’s about as bad as the movie (but, thankfully, much shorter).

9) Druish Princess (“Spaceballs”)

I know, I know. But it was made in the ’80s, when we could still think this sort of thing was funny. (Sorry, the first clip cuts out before John Candy’s “funny, she doesn’t look Druish”…)



8) Moses (“History of the World Part I”)

What your rabbis never told you during all that learning over Shavuos. 


7) Jews in Space (“History of the World Part I)

Am Yisrael Chai! 


5 & 6) Yogurt & moychandizing (“Spaceballs”) and missing the boat on crosses (“2000 Year Old Man”)

Two classic takes on Jews and business/pushcartism, the latter also capturing a sense of how too often it’s not so good to be the Jews.



4) Hitler Rap (“To Be or Not to Be,” sort of)

I had trouble finding good clips on YouTube, so the trailer will have to do. 


3) The Inquisition Here We Go (“History of the World Part I”)

He does Sephardic suffering too… 


2) Yiddish-speaking Indians (“Blazing Saddles”)


You want to know the difference between Woody Allen and Mel Brooks? Woody Allen takes his neurosis, sense of outsiderness, otherness, and he bathes in it. Mel Brooks comes from the same place, but turns all that baggage on its head — and gives us Yiddish-speaking Indians. (No good version w/embed code, so click here.) 

1) Every second of “The Producers”

First, this film reminds us that Mel Brooks can create works of genius on his own, not just brilliantly spoofs of the works of others. And, more importantly, he taught us how to laugh at Hitler. 


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