In April 1978, a Communist Government led by Nur Mohammed Taraki staged a coup against President Daud. In response to a succession of these extremely un-Islamic Communist regimes, the seven main Mujahedeen parties launched a jihad (holy war) against the Government and its Soviet backers for the following fourteen years. Afghanistan was pushed into a brutally bloody civil war.The new Communist state, much like its Soviet backers, supported the utilisation of music to push its secular agenda. For the new society to work, the Government realised that the very culture of the people must be homogenised; and music and its ability ‘to affect character’ was regarded as the perfect tool with which to do so.Music performance and broadcasting underwent selective censorship, and almost all forms of expression become agitprop for the new ideological forces in Kabul. A central television station was established in Kabul, followed by local television and radio stations throughout Afghanistan. The television studios imported the most advanced equipment and produced extravagant and innovative music programmes. The Ministry for Information and Culture tightly controlled all these new media. Some singers accepted the new limitations, while others fled the country.In 1979, Taraki obtained a fatwa (religious decree) from a sympathetic ‘alem declaring that ‘jihad against religious reactionaries who followed in the footsteps of the Akhwan ul-Muslimi [the Egyptian Muslim Brotherhood organisation] had full religious sanction’.The secular government’s bizarre decree - a holy war against those who had declared holy war on them – had a musical consequence. Anwar notes that the state-controlled media was directed to use this fatwa to attack the anti-Government Mullahs through a series of ‘skits, songs and plays’. One chorus, which was broadcast regularly on both television and radio, included the refrain: ‘Lannat bar tu aye Akhwan-ul-Shaitan’ (May the curse of God be upon you, you brothers of Satan). The use of such a song was no longer emblematic of the zealously secular ideals of Communism, but proactively harnessed and exploited the ideals of its religiously devout jihadi adversaries.Concerts were also regularly held in support of the Communist regime. One observer remembers:
During a concert on the evening on 14 September 1979, Hafizullah Amin deposed the incumbent President Taraki. This new, similarly Communist regime commissioned special songs for two of Amin’s supporters, Taroon and Nawab, who were killed in the coup. The songs, which were performed on state radio and television, commemorated their ‘great deeds’.As was customary, the stage was profusely decorated with large photographs of the “great leader”. Popular artists, including Qamar Gul, Gul Zaman, Bakhat Zarmina, Master Fazal Ghani, Ahmed Wali and Hangama, were busy singing the praises of the Revolution and the Party. The well-known comic, Haji Kamran, who was acting as master of ceremonies, was dutifully leading the crowd into chants of ‘Long Live Taraki’ and ‘Love Live Amin’ whenever a new performer appeared on stage.
The tradition of music at family celebrations continued throughout the Communist era. In 1986, the International Herald Tribute published an article about a private engagement party in Kabul. The band leader told the journalist that the band’s repertoire ‘includes patriotic songs about the Communist Party and against the counter-revolutionaries [the Communist Government’s name for the Mujahedeen] … ‘I always try to topple the counter-revolutionaries in my poems and songs’, the singer told government officials acting as interpreters for visiting foreign journalists.In neighbouring Pakistan, hundreds of thousands of Afghans were living in refugee camps not far from the border. These camps were connected to many of the Mujahedeen groups and were under control of the mullahs. The religious authorities banned any kind of music in the camps; not just live performances and audio cassettes, but even music on the radio. Such censorship was a harbinger of times to come under the despotic rule of the Taliban.Click here to read Part 2