Raphie Etgar's final offering at Museum on the Seam shows social flashpoints
Etgar’s swansong is called “Life/ Still Life/ Land” and, true to the museum’s enduring sociopolitical purview, takes a sober and unblinking look at the acerbic side of society here.
ANDI ARNOVITZ'S Lilith's Nightmare installation draws chilling attention to reports of rabbis sexually abusing children(photo credit: ANDI ARNOVITZ)ByBARRY DAVISUpdated: