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I, and I am sure many others, were surprised to learn recently that Bambi, the story about a lovable and vulnerable young deer, made famous by Walt Disney, was originally published in German in 1923 as an allegorical novel, by Felix Salten, an Austrian Jew (Donna Ferguson, The Guardian, 2021). A new translation of the novel by Jack Zipes (Bambi: The Story of a Life in the Forest) portrays how Salten’s book was intended as a grim warning of the coming persecution of the Jews of Europe.

Franz Kafka’s novella The Metamorphosis has been described in a similar vein. As an example, Anne Roiphe (Forward, 2017) describes the transformation of the protagonist, Gregor Samsa, into a giant insect as a depiction of how “the ultimate extermination of the Jews began as a campaign to make them seem nonhuman, not subject to the normal laws of compassion and empathy.”

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