Curtain 2 explores not only the sequences of movement but the spaces between them. It presents four short works by Roy Assaf, Noa Tzuk, Doron Raz and Gili Nabut.Curtain 3’s three choreographers tackle the tough questions as well as the clichés of contemporary dance in Indecent Movement by Hillel Kogan, In Her Words by Rachel Erdos and The Sad Little Sensitive Jesus Man by Osnat Kellner.To celebrate its 20th anniversary two years ago, Curtain Up did an about-face. Rather than showcase new works by experienced and established independent choreographers, the festival took these same artists and put them in charge of the next generation. After all, new artistic directors are also essential.Those chosen were dance veterans Tamar Borer (Curtain 1), Sa’ar Azimi (#2) and Ronit Ziv (#3) who relished, curated and led last year’s festival.
Raising the curtain on dance
This year’s Curtain Up Dance Festival has works by 10 young yet proven choreographers at Suzanne Dellal Dance Center and Jerusalem Theater.
Curtain 2 explores not only the sequences of movement but the spaces between them. It presents four short works by Roy Assaf, Noa Tzuk, Doron Raz and Gili Nabut.Curtain 3’s three choreographers tackle the tough questions as well as the clichés of contemporary dance in Indecent Movement by Hillel Kogan, In Her Words by Rachel Erdos and The Sad Little Sensitive Jesus Man by Osnat Kellner.To celebrate its 20th anniversary two years ago, Curtain Up did an about-face. Rather than showcase new works by experienced and established independent choreographers, the festival took these same artists and put them in charge of the next generation. After all, new artistic directors are also essential.Those chosen were dance veterans Tamar Borer (Curtain 1), Sa’ar Azimi (#2) and Ronit Ziv (#3) who relished, curated and led last year’s festival.