The children’s museum adults love too

The Israel Children’s Museum in Holon encourages parents and children alike to explore, touch, feel, climb and discover.

By DANIEL BEN-TAL, WWW.ISRAEL21C.ORG
Children's Museum in Holon 521 (photo credit: Courtesy/Children's Museum in Holon )
Children's Museum in Holon 521
(photo credit: Courtesy/Children's Museum in Holon )
‘I don’t want to go to some boring museum,” Idan, my seven-year-old, complained.
“But this is no ordinary museum,” I replied. “It’s especially designed for children and their parents to have a joint experience.” Indeed, our visit to the Israel Children’s Museum in Holon proved most enlightening – and fun.
“What makes this museum different from any other in the world is that the child’s experience here is direct,” says the museum’s general manager, Gil Omer.
“We encourage the children to be actively involved. This means exploring everything around them – touching, feeling, climbing onto and even into the displays. They leave with emotional and cognitive insights, and smiles on their faces.”
“I want to do the whole thing again,” beamed Idan’s brother, Ariel, as he emerged with his mother from their guided 90- minute activity, “A Journey To Mend The Kingdom of Time,” designed for four- to six-year-olds. “I turned the hour glass and things began to happen...”
Idan and I had meanwhile visited “The Magic Forest,” where we followed a series of clues through tree trunks, down slides and under a snowstorm in search of a solution to a mystery that I cannot reveal.
“The concept behind these tours is that the child enters the story and becomes part of the plot,” explains Omer.
There’s a program for each age group. The others are “Following the Butterflies” and “ A Journey with an Owl-Cat” for two-and-a-half- to four-year-olds and “The Aliens” for eight- to 11-year-olds.
Each accompanied by a parent, the children follow their fascinating journey in small groups, guided by a professional actor who acts as a moderator.
Theatrical skills stimulate the children as the guide draws them into the story line.
“The children don’t always realize it, but the added value is the educational significance of the experience,” says Omer.
I experienced some cognitive insights of my own via the museum’s two unique programs for adults. In one, a speech-impaired guide helped me comprehend the faculties of non-verbal communication. The other transmitted me into the world of the sightless.
“Dialogue in the Dark” was a groundbreaking interactive project when the museum launched it in 2004 as a six-month exhibition. Hundreds of thousands of visitors later, it is going stronger than ever.
“The success has exceeded all expectations,” says Omer. “This program has had a genuine impact on Israelis’ attitudes toward the blind. Thirty-five blind and visually impaired guides work here. Instead of being guided, they now guide sighted people through their reality.” This involves entering a totally lightless series of rooms that depict everyday scenes, and using the four remaining senses to explore this unfamiliar reality.
“It’s about breaking stereotypes,” explains Omer.
“The Welfare and Social Services Ministry conducted a survey of visitors, and found that 96 percent said that this project is important for Israeli society.”
We donned soundproof headphones before entering the world of “An Invitation to Silence.” During the 80-minute tour, the deaf guide managed to communicate a wealth of information without speaking a word.
“This program has also been an amazing success. We planned to run it for a year, and four and a half years later it’s still fully booked.
The feedback has been incredible. One visitor called the museum ‘a thinking man’s Disneyland.’”
The tours can be taken in English, Arabic and several other languages, if booked in advance. (03) 650-3005.