Film review

'Sheep in the Box': A pointless, sweet story of grief, robots - review

The film explores how a couple, grieving the loss of their young son who was killed in an accident two years before, decide to adopt an AI robot programmed to mimic their child.

‘SHEEP IN THE BOX’ is about how a couple, grieving the loss of their young son who was killed in an accident two years before, decide to adopt an AI robot programmed to mimic their child.
Daniel Gimpel, as the young religious festival-goer, is one of the standouts in a fine ensemble in ‘Our Loves.’

Avi Nesher's ‘Our Loves’ turns tragedy into immersive cinema - review

FROM LEFT: Vojtech Vodochodský, Stanislav Majer, and Tatiana Pauhofová in ‘Waves.’

‘Waves’ captures thrill and tragedy of resistance at Prague radio station in ’68 - review

Coyote in New York.

New documentary 'To Kill a Nazi' details Holocaust survivor's key role in Entebbe rescue


How two new documentaries on America post-Oct. 7 talk right past each other

What both films lack is empathy. They depict the conflict as a zero-sum game, in which talking about the other side’s pain is conceding the argument, the author writes.

 Tessa Veksler, an interviewee in the documentary "October 8."

‘Kafka’s Last Trial’ doc. tells the story of a literary legal battle 

It’s fitting that this movie is being released now, just after the centenary of Kafka’s death was marked, and as an exhibit is running at the National Library of Israel.

 A SHOT from ‘Kafka’s Last Trial,’ being screened Saturday night.

Chalamet masterfully channels Bob Dylan in 'A Complete Unknown' - film review

The movie is far from flawless, but the problems with it are likely not ones that will bother you as you’re watching it.

 TIMOTHÉE CHALAMET and Monica Barbaro as Bob Dylan and Joan Baez in ‘A Complete Unknown.’

'Souleymane’s Story': A glance into the life of an African worker in Paris - film review

The new film paints a haunting portrait of one face behind all the headlines about immigration.

 ABOU SANGARE in ‘Souleymane’s Story.’

'Why War': Israeli filmmaker Amos Gitai's latest movie - review

The director attempts to answer the question "why war?" in an inventive way, by quoting from an exchange of letters between Albert Einstein and Sigmund Freud in the early 1930s.

 A scene from the film ‘Why War.’

Jesse Eisenberg's 'A Real Pain' is a trip worth taking - review

Jesse Eisenberg's 'A Real Pain' is a poignant journey of grief, Jewish identity, and family bonds, blending humor and heart as two cousins navigate their past on a tour of Jewish history in Poland.

 KIERAN CULKIN and Jesse Eisenberg (shown on right) in ‘A Real Pain.’

New film 'The Ring' traces a family's Holocaust trauma - film review

Much of the movie details their search through Budapest, and as interesting as this city’s atmosphere is, it’s the relationships among the three leads that carry the movie forward.

 ADIR MILLER and Joy Rieger in ‘The Ring.’

Israeli film ‘Red Flower’ copes with the carnage in Sderot - review

Also available is the docudrama One Day in October on Yes TV, by Daniel Finkelman and Oded Davidoff, which offers dramatized versions of four stories from October 7.

 A SCENE from ‘Red Flower.’

Love, laughter, and high-stakes Haredi dating in 'Matchmaking 2' - review

If you’re craving a story that’s both romantic and funny, Matchmaking 2 is a good match.

 NOAM IMBER (left) and OMER NUDELMAN in 'Matchmaking 2.'

Norwegian talkfest ‘Sex’ is an utterly unsexy film - review

Norwegian film "Sex" revives mumblecore with a dialogue-heavy story, but its slow, unremarkable conversations fall flat.

 THORBJORN HARR and Jan Gunnar Roise in Dag Johan Haugerud’s film, ‘Sex.’