German choreographer Sasha Waltz wows with ‘Continu’

With the dimly lit stage bare, large groups move and regroup, setting a grave mood soaked with apprehension and fear. Faint sirens sounds are chillingly woven into the music.

May 19, 2019 21:49
2 minute read.
German choreographer Sasha Waltz wows with ‘Continu’

German choreographer Sasha Waltz's cast of 22 gets a standing ovation in Tel Aviv . (photo credit: Courtesy)


Dear Reader,
As you can imagine, more people are reading The Jerusalem Post than ever before. Nevertheless, traditional business models are no longer sustainable and high-quality publications, like ours, are being forced to look for new ways to keep going. Unlike many other news organizations, we have not put up a paywall. We want to keep our journalism open and accessible and be able to keep providing you with news and analysis from the frontlines of Israel, the Middle East and the Jewish World.

As one of our loyal readers, we ask you to be our partner.

For $5 a month you will receive access to the following:

  • A user experience almost completely free of ads
  • Access to our Premium Section
  • Content from the award-winning Jerusalem Report and our monthly magazine to learn Hebrew - Ivrit
  • A brand new ePaper featuring the daily newspaper as it appears in print in Israel

Help us grow and continue telling Israel’s story to the world.

Thank you,

Ronit Hasin-Hochman, CEO, Jerusalem Post Group
Yaakov Katz, Editor-in-Chief


Sasha Waltz, one of the more influential German choreographers for the past quarter of a century, is known for her daring, singular creations which deal with powerful visuals and movement research from new angels. Her last visit to Israel was in 2001 when the company presented one of her major creation at that time - Korper.
‘Continu’ (2012)is a two-act dance work with varied tempers; the first, is full-bodied, intense, ominous and long enough to stand as a satisfying full show. The second act is much shorter, brighter and emotionally lighter, and calms down the dramatic effect of the first act, yet leaves a faint trace behind.
The company has an international cast of 22, including three Israeli dancers. The cast is diversified in terms of background and age, each with apparent individual personality.
The seven female dancers at the opening scene were elegantly clad in long black dresses. A set of drums was positioned on stage left, played by outstanding percussionist Robyn Schlkovsky (b. 1953) that dancingly hit the drums to music by Iannis Xenakis. The dance reacts to the music, echoing its pulses with curving lines and rippling muscles.
This introduction is a corridor to the main section, influenced by radical composer Edgar Varese’s score Arcana (1927). His powerful compositions were way ahead of his time as he promoted using electronically produced music a century ago.
With the dimly lit stage bare, large groups move and regroup, setting a grave mood soaked with apprehension and fear. Faint sirens sounds are chillingly woven into the music. The scene implies complex situations in dire times; it could be fear of persecution or incarceration as the sounds of drums translates to approaching danger.
In an exceptionally chilling scene, the entire cast stands still against the back wall which is covered with metal plates. A single person shouts a syllable or two, and one of the people drops dead. One by one, they all crumble and collapse.
Waltz managed to reach the most dramatic effects by using basic elements of light, sound – or lack of it – and relatively simple movement compositions on stage’s space. She managed to create complex situations layered with undercurrents, dealing with basic components of the human entity, its needs, fears, aspirations and self expression, by stripping the dancers of unnecessary frills such as ego and blind obedience. Instead she deals exclusively with the bare necessities to enrich her art work.
Deeply touched, the audience responded with a standing ovation.

Join Jerusalem Post Premium Plus now for just $5 and upgrade your experience with an ads-free website and exclusive content. Click here>>

Related Content

FROM LEFT: Michael Siegal, Jewish Agency chairman of the board; Owen Egre, 10,000th Onward Israel pa
June 26, 2019
Surge in Diaspora young professionals in Israeli programs


Cookie Settings