(photo credit: Courtesy)
Apple’s latest revision to its iPhone software, 4.1, adds a feature called high dynamic range (HDR) imaging to its built-in camera.
Coincidentally, I have been working on a column on this subject for the past few weeks and making some HDR images using my Pentax K-7 digital SLR, and then processing them using Photomatix software, the final step in the process.
One of the limitations of both conventional film and digital photography
is the inability to capture the wide range of brightnesses in a single
image. This has been a problem since the beginning of photography, and
one I grappled with in designing cameras at Polaroid decades ago.
The camera designer’s best solution has been to provide several means of
figuring out the best exposure for a particular scene, such as using a
centerweighted or a spot reading. But often scenes being photographed
have areas that are very bright and other parts that are dark. An
example would be those areas in an outdoor scene with a very bright sky
and other areas in deep shadow, where details in both areas are lost.
Newer cameras have intelligent capabilities to figure out the kind of
scene and adjust to get the best possible exposure. For example, a
camera might detect the scene to be a portrait and expose for the face
while ignoring the background.
But that’s still a compromise, just a single exposure, because the film
or digital sensor lacks the ability to capture the wide dynamic range
that our eyes are able to adjust to and accommodate.
With the advent of digital photography and new software tools that have
become available, there’s an entirely new way to address these
How does it work? The trick is to take several exposures, usually three,
of a given scene and combine them digitally, taking the best parts of
each exposure so that almost everything in the composite image is
Typically, the first image is made at the normal exposure, a second
image two stops brighter (4 times the shutter speed), and another 2
stops darker (1/4 the exposure). In the first exposure, the average
portions will be well exposed, in the second the dark shadows will be,
and in the third, the bright sky will be properly exposed.
Of course, for this to work well, the camera needs to be held steady on a
tripod, and it may not work for images with fast moving elements.
I set my Pentax to aperture priority mode and used its bracketing setting to take three consecutive images at 0, +2, and -2.
(Aperture mode means the aperture will stay fixed, while the shutter
speed will vary for each of the three images; that provides a consistent
focus across all images).
Once the exposures are made, you load them into the computer.
The images are then processed into a single HDR image using Photomatix
Pro software ($99 from hdrsoft.com) by dragging the three images into
the program’s window. With a few clicks the program merges the images,
even adjusting for misalignment due to camera or tripod movement between
Photomatix, available for both Mac OS X and Windows, includes a final
step called tone mapping to improve the HDR image it generates. It’s
akin to image tweaking found in many photo programs.
The resulting images looked like none I’d ever taken before. In outdoor
shots, foliage in the foreground and to the sides were bright shades of
green, while the sky in the upper half was dark blue with puffy white
Images that contained both the interior of a room and a bright scene through the window showed both areas perfectly exposed.
To see for yourself, check out the huge collection of HDR images on the site stuckincustoms.
com, a popular travel photography blog written by Trey Ratcliff.
Ratcliff is an award-winning photographer who had created the first HDR
image to be exhibited in the Smithsonian Museum. His images are
stunning, with some seeming to be surrealistic. For example, there’s a
nighttime image of Hong Kong from The Peak that captures the illuminated
buildings, the ship traffic in the harbor and the clouds and mountains
in the background, all perfectly exposed. His site also provides a
tutorial on HDR.
In addition to the iPhone, I expect the feature to be incorporated into other automatic point and shoot cameras and smartphones.
While not up to the level of what you can do with a DSLR and Photomatix,
HDR is about to move from the serious photographer to the casual
shooter, driven, surprisingly, by a computer company, rather than a