This week's art roundup includes 20th-century artwork at the Haifa Museum of Art, public art exhibits across Tel Aviv, and, in a first, an Israeli's art was flown to the moon.
All the paintings portray amorphous images of different sizes, executed in a technique of engraving in tar, sometimes mixed with acrylic or ink.
Eitan Ben Moshe’s refusal to accept a consumerist status quo expands to the streets, where he once offered a homeless person an enormous pearl.
Young photographer’s Oct. 7 exhibition shown at Jpost Berlin Conference
Three Israeli artists whom I have chosen to interview for the Magazine, each with a very different approach, agreed to answer my three questions.
The exhibiting artists include some who were taken hostage or murdered in October, as well as residents of southern Israel, who along with their families experienced the loss, destruction, and pain.
Set in a stylized stage depiction of the past century, when people typed letters, played records, and called travel agents via landlines, is what makes this production an outstanding achievement.
Walking through the exhibition titled “Splinter from the Storm,” one can see the parallels and the contrasts of the Land of Israel thousands of years ago with that of today.
JPOST Digital Library
