The original venture “Pitching For Dance” will be practiced in Israel for the very first time. It is a rarity anywhere else in the context of dance.
The next section came and unexpectedly, it turned out to be a bona fide workshop session as Godder asked viewers to close their eyes and go through a sort of spiritual guidance and guided imagery.
The dancers had grace and improvisational skills that kept us interested in their rapid shifting compositions tinted with Oriental innuendos of a sensuous nature.
The Kamea Dance Company presents ‘RAGE’ by Tamir Ginz at the Suzanne Dellal Center for Dance and Theater on June 9.
Amor’s stylistic roots are based on the lightweight musical theater practices of four centuries ago.
“In my opinion, it is a miracle that in such a difficult time we managed to put up all of these premieres,” Naomi Perlov, artistic director for Suzanne Dellal Center, admitted.
Once more, the stage was filled with hanging props of sand filled thin transparent plastic containers shaped like ancient jugs.
Yair Vardi leaves an unmistakable legacy.
BalletBoyz will perform a program consisting of two works, Them and Us, each of which highlights a different strength of the company.
For this production, Schenfeld called upon her company of dancers to bolster Ophelia’s path to freedom. “The company is like a Greek chorus or like something breathing in nature,” she says.
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